Here’s a twist, the Beatles working their own song into another of their songs. In college I referenced this during a discussion on techniques in poetry (classic literature is full of references, the most famous example being Dante filling Hell with everyone he didn’t like).
Here’s one I’m very proud to include. Jason Bennett was a local folk singer when I lived in Colorado Springs. When I first met him he was merely the husband of a coworker at Borders, and he’d perform in our Seattle’s Best Coffee. He became a friend. He was a big fan of Bob Dylan in addition to his originals, corralling a bunch of local talent to record PositivelyPikesPeak, which received interest from the Grammys. Eventually his wife got sick of him pursuing his music, and left him. As far as I can tell he continues to this day.
Nearly two years ago, when I was reviving this blog and headed toward Lineage territory, I shared this when it was first released. I’m still in utter amazement and filled with gratitude that it happened. What a great coda to one of the great cultural touchstones of the modern era.
The first of the Beatles resurrection songs, featuring the surviving three in the mid-90s building around John Lennon recordings.
Yesterday I watched SpinalTap: TheEndContinues. I never saw ThisisSpinalTap, but I don’t think that much matters. My point, here, is that in that context, listening to “Free as a Bird,” it sounds very much like a song an aging band would’ve come up with. Never mind the actual context; it’s very much as if Lennon himself conceived of it that way, and using its bones…Could the rest of the band have come up with anything else? In some alternate reality where Lennon wasn’t killed, if they’d gotten back together, is this how they would’ve sounded anyway?
The ‘90s were already the beginning of a seismic shift in rock. Everyone seemed to have become convinced that mainstream rock had been shifted on its axis by Kurt Cobain and Nirvana, and that his sudden death effectively killed the genre’s future. And it’s been exactly that diagnosis ever since. At about the same time the surviving Beatles were cobbling together both the Anthology documentary and the accompanying archival albums, an unexpected revisit not just with history but the living remainder of the band many still considered, and consider to this day, the defining rock band, no one seemed to know how to take it seriously anymore. Might in some way that moment somehow pushed the idea of current rock bands, in the mainstream, so far out of orbit it was impossible to reposition? The wild experiments that followed the Beatles, and the push out of the mainstream that resulted, left little ground the general public seemed interested in exploring. The very idea of rebellion had become marginalized, after fueling so much of rock history, and suddenly there’s this new Beatles track, and it’s the calmest the band ever sounded. Where do you go from there?