Very glad to be able to include this one! Hootie has been inexplicably unpopular since the moment it became the most popular rock band of the modern era with its breakout first album crackedrearview, that exploded all over the charts. The backlash sent them into obscurity and cost rock all remaining mainstream credibility. But you wait long enough and…someone comes along and says, Hey! let’s incorporate one of their songs into mine! And so it comes full circle…
Alan Doyle is such a treasure, it’s a shame he’s almost totally unknown in America. Being able to sing “It’s the End of the World” is cool enough, but then Great Big Sea goes and creates its own song in much the same vein…
Stan Rogers created a whole new sea shanty that was another that took on a life of its own. There are many, many other takes to be found. Randomly I found a CD with the song included, and..I guess I love it now.
It’s kind of crazy, since I wasn’t as wild about the movie itself, but AStarIsBorn Iteration #4 (people are fairly crazy concerning movie remakes, which is strange since we wouldn’t have what’re widely considered the best versions of TheMalteseFalcon and TheTenCommandments without them) produced one of my all-time favorite songs in “Shallow.” I’m of the opinion Lady Gaga is best when she gets out of her own way (admittedly there’re a lot of pop stars whose careers were defined by chips on their shoulders), which thankfully she’s able to do now and then. Hilariously when I watched the movie the first time I thought she overdid it, but “Shallow” works so well because it’s a complete composition. Gaga and Bradley Cooper connected brilliantly; it got to the point where people honestly thought they were in love. So I don’t mind putting a spotlight on it here, with a string version.
Here’s a fun one. “When You Wish Upon a Star” debuted in Pinocchio, sung by Jiminy Cricket, and just by Disney standards became iconic as part of its studio signature. The Dion and the Belmonts version inspired the Beach Boys song “Surfer Girl,” and in general is incorporated into the lyrics of Earth, Wind & Fire’s “Shining Star.” John Williams also covers it in CloseEncountersoftheThirdKind. Its legacy is well-assured.
Classic bit of music making and Michael Jackson lore. Still absolutely wild to think Jackson persevered his childhood roots to become one of the greatest artists ever. Still not surprising it took a huge psychological toll on him. Still disappointing that the culture at large couldn’t understand that. My X feed is still full of a more recent parallel in Olympic gold medalist Alysa Liu, whose early training in figure skating eventually became a personal comeback that bursts with inner passion.
Watching these videos back, I can hear Buddy Holly in Bobby Day’s voice, and the emerging maturity in Michael Jackson’s, everything he eventually suppressed, even his face. By the end of the ‘70s he was already pursuing his separate path, highly visible in TheWiz, in which he’s definitively broken free of the Jackson 5 image and become more flamboyant, on the cusp of his ‘80s peak. How all of this developed into the man as he was by the ‘90s…it’s all right there in the open, even more so than Miley Cyrus, whose own transformation from child star to rebellious and highly sexualized performer feels far more crassly tragic, yet she’s given a free pass somehow…
I’m actually not much of a Bowie fan. I appreciate how large he looms for a lot of other people. The same, kind of, for Kurt Cobain. The rock industry put so much into Nirvana, once Cobain was dead, it had to postulate the myth that rock itself was dead. Which eventually, although it took longer than popular perception suggests, turned out to be true. So to see them echoing each other is kind of poetic.
Sometimes it really is about the tune. Some pop songs try to slip these under the radar and it causes lawsuits, and then sometimes you really can’t because, well, the lineage is really pretty rather old.
Gosh, the longer I work on this project the more astonished I am that I keep overlooking obvious picks. I started this circa February 2024. As I write this one ahead of time, it’s February 2025. And it’ll be posted about a year from now.
Michael Bolton, for me, is more the Mike Bolton character from OfficeSpace. It’s not that I didn’t know Michael Bolton before. I just love OfficeSpace.
Don’t normally include parodies, but kind of felt I needed to, this time. Also worth noting that “Diamond” Dallas Page used an homage that was so close to “Teen Spirit” as his entrance music in WCW eventually he wasn’t allowed to use it anymore. WWE still used a version, though.
I’m such a nerd for the Animals. I think they deserve greater recognition for their contributions to music, between this and their masterful “House of the Rising Sun.” They may not have introduced songs, but their ability to interpret is genius-level.
Stephen Foster remains one of the most famous names in American music. Here’s one of his less well-known songs covered extensively, proving how deep his legacy goes.
Here’s yet another I can’t believe I’m just now reaching, because I’ve always liked the Alien Ant Farm version, and my appreciation for the Jackson original has also increased over the years, to the point where it’s essentially my favorite of his songs.
On a different note, I’ve mentioned before how I plan these well in advance. This one comes from a block from nearly a year ago. As I write this I seem to really be reaching the end of the Lineage, which might conclude in just under thirty weeks. But we’ll see!
Here’s another I kind of can’t believe took so long to reach. By the time O’Connor did her version, not only did it define her popular career, but it really felt as if it was her song. But the spelling kind of is a dead giveaway that its origins are pure Prince. Prince’s career is peculiar in a lot of ways. He hit big in the ‘80s. But by the time he was fighting with his record label and changing his name to a symbol…He was a living legend people talked about as being hyper talented more than his output, or success, suggested. Then he was kind of the Super Bowl act that defined what those are apparently supposed to be, nostalgia shows where the performer(s) is a legend that can still perform at their peak. He became a throwback to all those careers BluesBrothers had to fight to include.