When I originally tackled this project, Train’s contribution was actually the kind of song I didn’t really want to include. I first heard Train as a gloomy band my college roommate loved. Later in their career they discovered that they could sound pretty cheerful, and I guess that’s also why they later did “Play That Song,” or so I always assumed, because it wasn’t that easy for them to keep the new version of themselves going, especially as radio hitmakers. “Heart and Soul” itself is a classic bit of piano material that a lot of people learning how to play like to pick out on the keys. I loved when Lost had it show up with Jack’s doomed love in the flashbacks, who was played by Julie Bowen, whom I’d fallen in love with previously thanks to Ed, and before she found lasting success in ModernFamily.
Back in the day there was the belief that Dido’s “Thank You” was better off being sampled in Eminem’s “Stan” than existing on its own. I tend to wildly disagree. But it’s still interesting, that Eminem took a whole existing, until that point unknown contemporary song and used it as supporting material in his own, which ended up propelling not only the song but the artist into the mainstream. Sometimes rap shenanigans work as a force for good!
I don’t usually feature reality show singing competitions in this, but I was touring YouTube and just came across Iam Tongi, whose version of James Blunt’s song in his audition is truly one of those perfect moments.
“Captain Kidd” is actually quoted in a Washington Irving story, so its lineage is pretty well established, and its tune ended up showing up in other songs like “What Wondrous Love is This” and “Sam Hall.” It’s of course a song I first heard from Newfoundland fount of traditional songs Great Big Sea (one of its original members left because he thought they didn’t devote sufficient time to preserving them). In more recent days it was adapted by the TV show TheExpanse as “The Ballad of Captain Ashford.” It’s a well-travelled sea shanty indeed.
My brothers took a sharp turn toward classic rock in the ‘90s, thanks in part to a local radio station (The Blimp!), during which they embraced Led Zeppelin as one of the great bands, a sentiment widely shared since their heyday but one I’ve never really gotten around to myself. My Newfoundland boys Great Big Sea (they’ll continue to show up in this, I assure you) covered the most appropriate song in the catalog, and that got me listening, but I would still need slightly more than a stairway to join the bandwagon.
On a Beatles kick, here’s a song that I’ve been getting into more and more since the LetItBe…Naked version without the added production was released, and the subsequent take from Yesterday following it so faithfully. I hated how critics tried to bury the movie by suggesting younger viewers couldn’t possibly understand it when that was kind of the whole point, that you could discover this music all over again and it would be just as amazing. I was born a decade after the band split, so my whole life has been exploring it after the fact. If you believe it’s impossible it’s because you need it to be true. But it certainly doesn’t have to be.
Having just posted the previous Beatles cover song responsible for helping me discover more of their work, I figured I should definitely include this one, too, from what I still consider to be a horribly underrated movie bursting with such material.
(This is yet another post breaking the fourth wall of the humorously disjointed nature of plotting blog posts in advance! Huzzah!)