#962. Lineage of Song: “Thank You”

 

“Stan”

“Thank You”

Back in the day there was the belief that Dido’s “Thank You” was better off being sampled in Eminem’s “Stan” than existing on its own. I tend to wildly disagree. But it’s still interesting, that Eminem took a whole existing, until that point unknown contemporary song and used it as supporting material in his own, which ended up propelling not only the song but the artist into the mainstream. Sometimes rap shenanigans work as a force for good!

#961. Lineage of Song: “Monsters”

 

James Blunt

Iam Tongi

I don’t usually feature reality show singing competitions in this, but I was touring YouTube and just came across Iam Tongi, whose version of James Blunt’s song in his audition is truly one of those perfect moments.

#960. Lineage of Song: “Captain Kidd”

“What Wondrous Love is This”

Johnny Cash, “Sam Hall”

 

Great Big Sea, “Captain Kidd”

“The Ballad of Captain Ashford”

“Captain Kidd” is actually quoted in a Washington Irving story, so its lineage is pretty well established, and its tune ended up showing up in other songs like “What Wondrous Love is This” and “Sam Hall.” It’s of course a song I first heard from Newfoundland fount of traditional songs Great Big Sea (one of its original members left because he thought they didn’t devote sufficient time to preserving them). In more recent days it was adapted by the TV show The Expanse as “The Ballad of Captain Ashford.” It’s a well-travelled sea shanty indeed.

#959. Lineage of Song: “Gallows Pole”

 

Led Zeppelin

Great Big Sea

My brothers took a sharp turn toward classic rock in the ‘90s, thanks in part to a local radio station (The Blimp!), during which they embraced Led Zeppelin as one of the great bands, a sentiment widely shared since their heyday but one I’ve never really gotten around to myself. My Newfoundland boys Great Big Sea (they’ll continue to show up in this, I assure you) covered the most appropriate song in the catalog, and that got me listening, but I would still need slightly more than a stairway to join the bandwagon.

#958. Lineage of Song: “The Long and Winding Road”

 

On a Beatles kick, here’s a song that I’ve been getting into more and more since the Let It Be…Naked version without the added production was released, and the subsequent take from Yesterday following it so faithfully. I hated how critics tried to bury the movie by suggesting younger viewers couldn’t possibly understand it when that was kind of the whole point, that you could discover this music all over again and it would be just as amazing. I was born a decade after the band split, so my whole life has been exploring it after the fact. If you believe it’s impossible it’s because you need it to be true. But it certainly doesn’t have to be.

#957. Lineage of Song: “I’ve Just Seen a Face”

Across the Universe

 

Having just posted the previous Beatles cover song responsible for helping me discover more of their work, I figured I should definitely include this one, too, from what I still consider to be a horribly underrated movie bursting with such material.

(This is yet another post breaking the fourth wall of the humorously disjointed nature of plotting blog posts in advance! Huzzah!)

#956. Lineage of Song: “Knockin’ on Heaven’s Door”

 

Bob Dylan

Guns ‘n’ Roses

This one’s here because at work it happened to come up, when I was playing Bon Jovi, and I was asked if it was the same band that played “Knockin’ on Heaven’s Door.” No, no it was not.

Back when I created this post (10/26), it seemed like it was a long time to wait to see it finally posted. I’m currently sitting at #1007 now waiting, which is a whole additional year of this project. When I started it I was just trying to find something new for an old blog to be revitalized, since my slowdown at blogging had ended up sacrificing my oldest, least structured blog, and that felt wrong. 

Anyway, since composing this particular post, I picked up a Criterion Collection edition of Pat Garrett and Billy the Kid, which led to hours spent watching three different cuts. I’d never seen it before, so spending so much time with it ended up being a pleasant surprise (I posted a review about a month back on my film blog).

Between this and the release of A Complete Unknown (which I decided was my favorite movie of 2024), I found myself once again in the grip of Bob Dylan. It’s been a comfortable spot for a dozen years or so. I understand I came late to the party, but I figure it’s not really when you arrive but that you found the time to enjoy it.